That’s something Beethoven learned to have and that Chopin had from the beginning. As Goode has remarked, “There’s a quality of ecstasy in Chopin and in late Beethoven.
With this recording, listeners have the chance to rediscover Chopin in much the same way the artist has. That’s something Beethoven learned to have and that Chopin had from the beginning.” The scherzo is another form extended and redefined by Chopin. The quartet of independent works he composed with this title between 18 has little to do with the earlier scherzos of Beethoven and Mendelssohn or. Not only the key but Chopin’s performance instructions (presto and sotto voce) link the sonata’s last movement to the Scherzo No 2 in B flat minor, Op 31, written (and published) in the same year as the ‘Funeral March’. With this recording, listeners have the chance to rediscover Chopin in much the same way the artist has. The Scherzo No 2 in B flat minor, Op 31, was written and published in the same year as Chopin wrote the ‘Funeral March’ from his Piano Sonata No 2 in B flat minor, Op 35.The scherzo is another form extended and redefined by Chopin. and not just for Chopin’s contemporaries. In the First Scherzo (1832) a clarion call to attention launches the principal theme which sears upwards like a zig-zag flame, its key and gaunt texture insisted on throughout.
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It educates you to a different way of playing piano.” The critical response to his concert performances of Chopin had already been well documented: Allan Ulrich ( San Francisco Examiner) commented on the "exploratory, spontaneous charge" that Goode brought to the music, while James Oestreich ( New York Times) noted Goode's "wonderful perspicacity" in "a torrent of Chopin." John von Rhein ( Chicago Tribune) said in a concert review, “Goode rose splendidly to the big heroic pages of Chopin's Polonaise-Fantasie." CD-Quality: Download all FLAC 16-bit 44.1 kHz £1.30.
In 1995, Goode spent a year-long sabbatical with the music of Chopin, and of the experience says, “I immersed myself in Chopin as I had in Beethoven. 60, in F-sharp Major and five Mazurkas: Op. The disc includes performances of the Polonaise-Fantasie, Op. Pianist Richard Goode presents an all-Chopin recital, affording listeners a rare opportunity to hear another side of Goode, who has been widely acknowledged as one of today's leading interpreters of the music of Beethoven and Schubert.
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